Paule Constable is an Associate of the National Theatre. Her theatre work includes, for the National, Follies, Mosquitoes, Angels in America, The Red Barn, The Threepenny Opera, wonder.land, Behind the Beautiful Forevers, The Light Princess, Table, This House, The Curious Incident of the Dog in the Night-Time, Phèdre, Death and the King’s Horseman, Waves, Saint Joan, and War Horse. Other work in theatre includes Wolf Hall for the RSC and in the West End and on Broadway; How to Hold Your Breath, Clybourne Park and The Weir at the Royal Court; Privates on Parade, Peter and Alice and The Cripple of Inishmaan for Michael Grandage Company; Teddy Ferrara, The Chalk Garden and Othello for the Donmar Warehouse; Happy Days, Feast and Vernon God Little at the Young Vic; and Seventeen, Herons and Blasted at the Lyric, Hammersmith. She has designed operas throughout the world, most recently Benvenuto Cellini, Medea and Dr Dee for ENO; The Cunning Little Vixen and Entführung aus dem Serail for Glyndebourne; and Roberto Devereux and Cav and Pag for the Metropolitan Opera, New York. Dance includes The Red Shoes, Sleeping Beauty, Play Without Words and Dorian Gray for Matthew Bourne. She is the recipient of two Tony Awards, four Olivier Awards, a Helpmann Award, three LA Critics’ Circle Awards, two Knight of Illumination awards and both New York Drama Desk and Critics’ Circle Awards.