Finn Ross trained at Central School of Speech and Drama and designs video for live performance. He has won two Oliviers, a Tony, two Drama Desks and an Outer Critics Circle award. Recent work in theatre includes Harry Potter and the Cursed Child and Bat Out of Hell in the West End; The Curious Incident of the Dog in the Night-Time (also on Broadway, in the West End and on tour), Damned by Despair and Greenland at the National Theatre; The Tempest at the RSC; In the Body of the World and The Crossing at American Repertory Theater; American Psycho (also Broadway) and Chimerica (also West End) and at the Almedia; Betrayal and Frozen on Broadway; Closer at the Donmar Warehouse; The Master and Margarita, All My Sons and Shunkin for Complicite; Die Ringe des Saturn at Schauspielhaus, Köln; Ten Plagues at the Traverse; Top Girls at Chichester and West End; and Sunset Boulevard at Gothenburg Opera. Opera includes The Rise and Fall of the City of Mahagonny at the Royal Opera House; Missa Solemnis for LA Phil; Benvenuto Cellini, The Death of Klinghoffer, Death in Venice, Eugene Onegin, Simon Boccanegra, The Damnation of Faust and Don Giovanni at ENO; Hänsel und Gretel, Zäuberflote and A Dog’s Heart for DNO, Amsterdam; La clemenza di Tito and Mr Brouˇcek for Opera North; Les pêcheurs de perles, Béatrice et Bénédict and The Turn of the Screw at Theater an der Wien; Imago, Rinaldo and Knight Crew at Glyndebourne; Lady from the Sea at Scottish Opera; Beethoven Symphony No 5 for Chicago Symphony Orchestra; and Das Portrait at Bregenz. Dance includes Le Petit Prince for National Ballet of Canada; Frankenstein for the Royal Ballet; and The Feeling of Going at Skånes Dansteater and Malmö Opera.